That’s right, two for one - and we promise that the DVD’s will be sent with love from Santa and his little helpers. Really. Honestly. Truly. Not many people know this, but aside from being the writer and director of Gone Fishing, I was also a stunt Santa, back in my home town of Wigan. When the big stores needed Santa to arrive in style, on a fire engine, by boat or on a helicopter for instance, I would be the guy they would turn to (thanks to my dad who was a manager at one of the big stores there - and that is me hanging on to the side of a fire engine, and it got pretty hairy when the took bends at 25 mph!).
So truly, WE CAN say that the DVD’s are sent directly from Santa (well his stunt double at any rate).
So if you are you stuck to buy a present for your mum or relatives this Christmas, give them something truly special that the whole family can watch on Christmas day, and keep the second free one for yourself! They will all laugh at the funny bits, cry at those sad bits, and cheer at the end, and all the time be amazed that you know the guys who actually made it.So when you buy using our online store, don't worry if the ordering system says that we are only sending just one disk, we promise our elves will put two in the mail, as well as lots of love and magical fairy dust too.
You can buy at www.buygonefishing.com
And just a reminder of the experiences others have had watching the movie last Christmas…
The DVD turned up on Christmas Eve so I wrapped it and put it under the tree. We watched it on Christmas Day and were absolutely blown away by the film. I just wanted to say what a great story you have here. The film is (as we say Down Under) a bottler, the production is first class and the acting hits the mark; I sincerely hope you get that Oscar. I hope you are having a great Christmas and your New Year is successful.
I just sat on the closed M11, at the junction with the M25 for the second night in a row. This time however, I had the DVD to watch as it arrived today.Anyone who saw me would have thought I was taking the delay rather too seriously, because I was in floods! The DTS sound is staggering in a car, and the film even more moving on a small screen. You have produced a work of art. I truly believe that if it doesn't win it's Oscar, then it's a fix! Absolutely magnificent, and I look forward now to watching it on my 6 speaker Harman Kardon system at home. I think I'll be destroying the walls!
Mike and Fiona Hardy, Brisbane, Australia
David Talbot, in a traffic Jam, M11, London.
I've just seen the full film for the first time and I'm sitting here choking back tears. It IS a great film, everything just seemed so right about it, the story, the light, the sound, everything. My fingers are even more firmly crossed for the Oscar. Thank you for making this lovely little film.
Mike Facherty, Film Maker
I watched the movie by myself and was in bits at the end. Amazing. I then sat my partner down and the same happened to her. Going kite flying shortly after we were still all teary. So, so beautiful. Well done.
Gareth Jones
I've watched Gone Fishing four times now and never tire of it. It's such a lovely, heartfelt little film. Absolutely charming...
Carol Ann Walters, Journalist / PublicistWhenever I get that spine-tingling feeling at the back of my neck I know I've been in for a treat. Gone Fishing moves beyond beautiful imagery to give us a warm, touching story with a challenging perspective on bereavement.
Mike Mindel, www.wordtracker.com
Onwards and upwards!
Chris Jones, Film Maker and Author







I have been working on festival plans today, and specifically on the world premiere. Cannes is looming and it would be great to get into competition there and give them the world premiere. I have been reliably informed that if we have already done French subtitles, that will work in our favour – and so today, I have been figuring out how to get subtitles onto a DVD. It’s actually not too hard. 
Yesterday I completed the PAL DVD for ‘Gone Fishing’.
One day to go…
Now the final mix is complete, I wanted very much to listen to it in Dolby Digital at home, on my own 5.1 system, as well as start the process for making a DVD of the completed film once everything else is done. The only problem is that I left the final mix on Friday with a copy that is saved as 24bit, 48khz WAV files, six of them (one for each channel), all recorded at 24pfs. I needed to convert them to a single AC3 Dolby Digital file, which I believe is at 16bit and 48khz, and as the final picture transfer onto DVD will be at 25fps, the sound is also currently running 4% slow for that DVD.
One of the reasons I went for HD DVD over BluRay was that I knew that it was much closer to DVD than BluRay is, on a purely technical and mastering level. After doing some poking around, I discovered something rather cool – it’s possible to master an HD DVD onto a normal DVD. This means, using my old DVD technology (basically a £20 burner on my PC) with cheap and cheerful DVD-R disks (at less than 10p a pop), I can now make HD DVD’s at home.
So we locked the picture edit at 1.45am last night. Editor
Eddie Hamilton and I made a huge number of tweaks that at first glance, are
fairly minimal in impact, but we both know that they made a big difference
holistically. At one point Eddie stopped and looked at me grinning and
commenting that ‘it’s so good, and so rare, to get the chance to come back to
an edit after a short break, to make these small but important changes…’ I knew
exactly what he meant.
Last night also included making all the deliverables for the sound guys – exporting all the audio, making a QT files with time code, and adding an academy leader. It was when Eddie added the Academy leader (the countdown clock at the start of a film) that I got goose bumps, mainly because I heard the ‘plop on two...’ This is a one frame beep that sound guys use to sync the film up (of course time codes and such usually take care of all of this but it’s nice to have this old school rock solid backup). And it’s the plop that for me is synonymous with sitting in the final mix, in a dubbing theatre, and watching the magic of sound mixing bring your film fully to life. I was giddy as a schoolboy!
I have spent the day designing the first DVD cover for ‘Gone Fishing’. This is very different to a feature cover in one major way – it will never act as a POINT OF SALE for a buyer. The only people who will get the DVD will either be given it, or come across it some other way, certainly not by pickup it up and thinking ‘This looks good, I must buy or rent it…’ Having received many short films on DVD in my office, I noticed how most attempt to look like a feature film in some way. I am going a different way with ‘Gone Fishing’ in the hope of standing out a little. 